RX 10 was designed to respond to some of the challenges that dialogue editors are seeing today. With more work being done remotely and audio being delivered at lower quality and resolution, it’s more important than ever to make sure you don’t spend hours or days trying to fix audio takes. Whether you are a veteran audio engineer, a post production dialogue editor, or you are creating podcasts or YouTube videos, you will appreciate many of the new tools included in version 10.ĭesigned to tackle the challenges of today That’s why we wanted to make it easier than ever to clean up audio with new assistive technology. But times keep changing and now more musicians and content creators are using RX in their everyday work. With the growing popularity of reality TV, RX found a home in the biggest post production studios in the world and has become the industry standard for audio repair. When we released the first version of RX, it was mainly designed for audio restoration. It’s now easier than ever to clean up audio. This eliminates the need to pass audio back and forth and keeps you in your flow. That’s why we’ve made a new Repair Assistant that can be used directly in your DAW. To this day, many people don’t know there is an RX audio editor or don’t really understand how to use it in their workflow. We can’t tell you how many times we have gotten that question when conducting user research sessions. We wanted to share some of the thoughts that went into the development of RX and the problems we are hoping to solve with the release of version 10. Whether you are editing a podcast, recording a full band, or working on a blockbuster movie, RX 10 will enable you to captivate audiences by bringing out the best in recorded audio. Preview of RX 10 Repair Assistant iZotope RX 10īuilt on decades of iZotope research, RX 10 is the most intuitive and intelligent version we’ve ever made.
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